#the fact that they aren’t even in character

[puckinghischier]

okay so…not that anyone asked but i have some…thoughts about this discourse surrounding jack’s signing last night

and honestly….i’m sad. i’m so insanely sad that so many people who claim to love this team are so quick to assume jack is a lost cause asshole. i think so much of it is entitlement. and yeah, as people, everyone deserve kindness and overall base level social behaviors. but where is that for jack right now?

where’s the grace and understanding that he’s tired. they likely had a day full of practice and drills and workouts before this signing. i mean, did he even get to go home before he was expected to sit and sign autographs for hours? why was he alone? why didn’t they put him with someone else? i know the answer is likely because he was the most sought after signature there and they didn’t want to make his line even longer, but still. i feel like jack has been very open and intentional with the fact he doesn’t like to do media. he wants to play hockey and go home.

and yeah, he also knew it came with the territory, but it doesn’t matter. if you sign up to be a teacher, you know there’s going to be early mornings, but that doesn’t mean you have to like getting up early. if you agree to work in healthcare, you know there’s going to aspects of the job that are gross and unfortunate, but it doesn’t mean you have to like cleaning up bodily fluids. the same can be said for these guys. they signed up to be professional hockey players, they knew media and signings and events were going to be expected of them, but it doesn’t mean they have to like it.

but back to entitlement thing. i think it has become so normalized to create personas for real people in our heads that people are quite literally unable to separate the fantasy from reality. and i mean, i’ll even say i contribute to the problem. all fanfic writers do. we create these idealized and fictional versions of these men, but the ability to differentiate between the two cannot be lost in the process. but i think it has been. i think there’s this unrealistic expectation thrust upon all of them, but especially jack.

he’s popular, he’s cutie, and he’s good at hockey. of course he’s going to have a mass following. but…he’s just a guy, y’all. he’s a guy that has bad days, good days, who gets tired, who has a social battery. and last night, i think that social battery had just run out. do you know how long he’s been watched and in the media? do you know how long he’s been the most watched hughes, the expectations he’s carried on him for years?

i just think there needs to be some compassion and grace here. going back to the whole “people pay to watch me play” incident is a little excessive, imo. i mean, are we going to hold every single player to everything they’ve ever said in the box? does it define who they are and their character? i have not once seen anyone berate and question quinn’s character when he told someone they were “fucking nothing”. which, if you really want to get down to it, is worse than what jack said.

but no, jack is expected to be this guy with rainbows coming out of his ass all the time, apparently. i think the concept of social cues and situational awareness has been so lost because of the screen culture right now. people do so much communication through screens and phones that they forget, people aren’t always enthusiastic and bright, even if they add an exclamation point to their text. last night was not something jack chose to do of his own accord. he was told to do it, and he did it. he made sure the kids had a good time and felt cared for. he signed everything that came across his table. could he have been a little more chatty? yeah. could he have maybe smiled a bit more? yeah.

but seriously, he knew he was going to have to sign a million different items and see a million different people. the whole point of a signing is just that. if he was even remotely going to get out of there on time, there’s no way he could have had any meaningful conversation with every single person. and i feel like he’s said before he prioritizes/likes kids? i could be wrong, so don’t hold me to that.

but the point is, this whole situation is so sad and such a good example of how gossip blogs only care about getting likes and reblogs and attention. they don’t care about these players, no matter how much they claim to. and people are so quick to take everything they read for fact. personally, i think jack is just…antisocial.

i think he has a persona on the ice because he’s in his element, he’s comfortable, and he’s excited to be there. when he’s with his family and around his friends, he seems to be an overall happy guy. but around strangers? strangers that want to talk about his stats, how he played in this game or that game, that are shoving their items in his face to sign, people that he’ll likely never see again? he doesn’t give too much away.

and before people mention the being snippy and short with the workers, i wasn’t there so i didn’t see what happened. if he was, i’m not defending that behavior, but i don’t think it’s because he thinks he’s above them or thinks he’s “god’s gift to hockey” like i’ve seen thrown around so much today. we have all been snappy with people we shouldn’t have before. it doesn’t mean someone is this terrible person with a high horse attitude. i think it’s a combination of fatigue, stress, and maybe even some anxious energy that had been built up and made its way out.

anyways, i’ve said enough i think, and this will be the first and only time i talk about this, but i had too many thoughts swirling in my brain to just keep them there. be nice. show grace. you’re allowed to be disappointed if you attended last night and felt like he was maybe dry and dismissive, but please step back and put yourself in his shoes. not every person has a social and yappy personality. some people don’t speak unless they have something to say. and that’s okay!!!

and for the love of god, quit giving gossip blogs what they so desperately crave

[intothedysphoria]

Billy Hargrove’s story is unattachable from disability

Of course Dacre has said he portrayed Billy as having bipolar and generalised anxiety disorder (and Dacre is a disabled actor himself)

And the Duffers aren’t exactly known for their good treatment of disabled characters or disabled actors

When you look at social representation models for disability in media, a lot of these hegemonic traits fit with Billy pretty fucking well.

“The disabled character as sinister/evil”- throughout the narrative we are told that the way Billy behaves (a lot of which are pretty textbook symptoms of bipolar disorder btw) make him evil and someone to be feared. ESPECIALLY after he’s flayed and is literally seen as inhuman.

“The disabled character as a burden”- Stranger Things presents him as *burdening* Max, preventing her from seeing her friends because he’s *insert fandom mental health diagnosis here*

“The disabled character as sexually deviant”- Billy is seen to be flirting with Karen (never mind that he looks fucking nervous while doing it) therefore he is a sexual deviant and must also be sexually deviant in other ways. (And certain disabilities are absolutely hyper sexualised)

Even the ways the fandom reacts to him are steeped in ableism. I’ve seen him be referred to as a sociopath, as a narcissist, as if npd and aspd aren’t mental health conditions and are instead an insult. The abuse he endures is blamed on him being a “difficult child” for Neil to raise, again pointing at Billy’s disabled traits.

And that’s not even mentioning that abuse is inherently a disability issue.

Abuse is disabling. And disabled people are both more likely to be targeted and less able to escape.

Billy’s story and thus his villainhood is reliant on the fact that he is disabled. He is a disabled abuse victim and therefore he is inhuman in the narratives eyes.

The one heroic he does according to the narrative is die. It is incredibly depressing.

But it is a story which has been thrust on disabled people since the beginning of television. You can consider me disappointed but not surprised.

[l0serg1rls]

cobra kai writers you are going to hell. it’s already bad enough that hayden loser ass dismissed it and said that it wasn’t sexual assault (it is)

the fact that hayden’s grown ass had to even be told what sa is, is fucking insane. that man is literally getting his ass beat on reddit, in the comments and over 200 quotes on that post on twt.

like was there little to NO communication in that writers room? like how do you unintentionally write a sexual assault scene and then gaslight fans when they’re strictly telling you that’s what it is. like you WROTE IT THAT WAYYY?!

if they wanted to make it look like robby made a mistake. why have him drunk? why was the dialogue also weird? why make robby have multiple of that rum and coke drink? why have him say he didn’t remember shit when he woke up?

just so fucking stupid bro i cant.

and there’s fucking edits of zara and robby, but losers aren’t taking is seriously and i saw this coming from a literal mile away. mind you, it’s MEN saying this. (see screenshots below)

i feel sick to my stomach. fuck every single person defending this absolute bullshit. fuck zara malik, fuck the writers.

reason 16829 why having women in the writers room or writers that have common sense and actually care about the characters need to happen on this show. i cant bruh.

edit: i’ve been informed that 3 women had wrote the script and one woman was present in directing that episode.. all i can say is what is going on. and what type of people do they have in that fucking writers room? all they all just ignorant and dumb as hell? like i have no words at this point.

[maul-of-shame]

[ABOUT "THE RINGS OF POWER" RUMOURS GOING AROUND:]

Sooooooooo, I’ve been seeing this swirling storm of chaos over on Twitter and Tumblr, and it seems like shippers (and non-shippers alike) are whipping themselves into a frenzy over this “Amazon Preview program” post. People are panicking, spinning theories, and already mourning the show as if the Valar themselves have announced its doom.

First of all—breathe, besties. Lemme grab those reins before y’all ride headfirst into Mount Doom on a horse named Speculation. Let’s take a step back, re-saddle our ponies of reason, and navigate this mess with a clear head. Because honestly? This panic spiral isn’t doing anyone any good, and it’s time we address it properly.

This post claiming to be from someone in the Amazon Preview program has thrown out the idea that The Rings of Power might get canceled, based on one alleged survey question asking how viewers would feel about such a possibility.

Naturally and obviously, that one sentence has snowballed into chaos: shippers blaming each other, Haladriels claiming to be the sole saviors of the show, and everyone else clutching their lembas bread wondering if this truly spells the end of Amazon’s multi-billion-dollar endeavor.

Spoiler alert: It doesn’t.

But before we dive into why, let’s lay this out clearly. Speculation without evidence is just that—speculation. Right now, this rumor has the same credibility as Gollum’s “juicy fish” promises. So, let’s chill out for a second, untangle the web of panic, and address this mess calmly, because trust me, The Rings of Power is not about to vanish into the West just yet.

1. No proof = no panic. While the original poster claims to be part of the Amazon Preview program, we have no concrete evidence that this survey or its specific question even exists. I'm sorry that's not me being mean, that's a fact. Until Amazon makes an official statement, take this with a grain of salt. Let’s not give ourselves heart palpitations over unverified claims. We don’t need to borrow worry from the future.

2. Viewership ≠ Haladriels alone. I’m sorry (not really), but this idea that Haladriels are the "main audience" and thus the show’s sole reason for survival? Nope. Stop right there. While the Haladriel fandom is vocal and sizable, they are not the entire viewership. Millions of people around the world are tuning in for the larger story of Middle-earth, the intricate lore, the stunning visuals, and their own favorite characters and dynamics—whether that’s Elrond & Galadriel, Durin & Disa, the Harfoots, or even Arondir's badass moments. Amazon didn’t pour half a billion dollars into a single ship.

Haladriels, who are you? The dwarves showing up at the last minute to the Siege of Eregion, claiming to be the sole saviors of the battle? Let’s pump the brakes on this idea, because while your contributions to the fandom are visible and often loud, you are not the entire viewer base. You’re part of the tapestry of fans, not the whole thing.

Yes, you’re passionate. Yes, you create fan art, fanfics, and engage actively in discussions. And yes, maybe you’re a good chunk of the audience (you are).

But—and I cannot stress this enough—you are not the majority of viewers Amazon is depending on for the show’s success.

The show has millions of viewers globally, and a good number of them don’t EVEN engage with shipping.

They’re here for the lore, the spectacle, the drama, or maybe just to see an elf and a dwarf bicker their way into a beautiful friendship.

Amazon’s decisions about the show—renewals, budgets, story arcs—aren’t hinging on one ship. They’re analyzing data from a massive, global audience across dozens of countries, not just the trending tags on Twitter or Tumblr. And even if Haladriels make up a decent slice of the pie, it’s not the whole bakery. This is Middle-earth, not a kingdom under one banner.

While the ship is part of the fandom's flavor, it is not the main course. This isn’t me throwing shade—it’s me asking for a reality check, from one passionate fan to another.

And just so we’re clear—this isn’t me throwing shade because I ship Elrondriel (Elrond/Galadriel). Trust me, I know my ship isn’t the entire audience either. Elrondriel shippers are a passionate, creative, and dedicated part of the fandom, but we’re also just one piece of the puzzle, just like Haladriels are. Believe me, we’re in the same fandom boat here—just sailing with different banners.

I understand the urge to feel like your ship carries the weight of the fandom. When you’re surrounded by incredible art, fic, metas, and headcanons that fuel your love for a pairing, it’s easy to think, "We’re the backbone of this fandom!" But the truth? We’re all in this together, and none of us—not Haladriels, not Elrondriels, not any ship—can claim to be the be-all and end-all of The Rings of Power audience.

We might feel strongly about our pairings, but the reality is that shipping communities are just one part of the much larger audience Amazon considers when making decisions. There are fans who aren’t on Tumblr, Twitter, or AO3, fans who aren’t debating ships, and fans who might not even care about romance in the show at all (I know, wild concept, but they exist!). They’re here for the epic battles, the exploration of Middle-earth, and the overarching story.

So, no, this isn’t a case of “my ship is better” or “your ship doesn’t matter.” It’s about perspective. I care about fandom health and fandom spaces, no matter the ship. I’m here advocating for all of us to recognize that we’re not the sole audience Amazon is catering to—and that’s okay. We’re all contributing to the fandom in different ways, and that’s something worth celebrating.

So to Haladriels feeling like the show’s fate rests on your shoulders, let me reassure you, that you have to produce and produce and produce: it doesn’t.

The show’s survival isn’t riding on Elrondriel either, nor on any single faction of fans.

We’re all part of the audience, but none of us are the entire audience.

The fellowship of fans is vast and diverse, and while we might be rowing in different directions sometimes, we’re still in the same boat when it comes to loving this world and wanting the best for it.

We might not ship the same thing, but we share the same love for this story and the passion to see it thrive. So let’s focus on that instead of spiraling into ship-centric fearmongering. Let’s celebrate what we love, stay creative, and keep contributing to this incredible fandom in ways that uplift us all.

3. Bezos isn’t walking away. The Rings of Power is Jeff Bezos’s lovechild. He and his family are reportedly huge fans of the Tolkien franchise. Love him or hate him, Bezos is not the kind of person to let a project this massive—one of the most expensive shows ever made—flounder without giving it every possible chance to succeed. The man is prideful, and he’s not just going to bow out because of mixed reception in its first season or something. If anything, he’ll double down, exert even more control, and pump the breaks on creative risks to bring the show in line with mainstream expectations.

You can even check this right here, which is from a trusted source:

You can also see this article and passage here:

As part of that investment Amazon MGM Studios recently acquired Bray Studios, where “Rings of Power” is filmed. Can we take that as indication that the show, which shot its first season in New Zealand, is staying in the U.K.?

JS: I think you can. Why not? No plans to move it. Very excited about it.

How have you found the reaction to Season 2?

JS: Obviously very different marketing levels and all of that [to Season 1]. But that being said, over 55 million people at this point have engaged since Season 2 launched. And if you look at the long-term trajectory, which is how this company looks at an asset like that, this is a long-term investment in that franchise. […] There’s well over 150 million viewers watching and engaging with the show. So I feel really good. I think we all do.

Is there any change to the 50-episode commitment?

JS: I don’t think so. [That] commitment is never the thing that’s driving what we’re doing. We’ll continue to make the show as long as we see global customers loving it and watching it to the point where — it is a business. Obviously, we need a large amount of people showing up. And there are a large amount of people, so there’s no debate about whether or not the show will continue.

4. "Cancelled" doesn’t mean what people think it does. Even if Amazon is “mulling over” decisions for Season 3, this doesn’t mean the show is on the chopping block. It’s standard practice for large-scale productions to reassess budgets, strategies, and audience reception to refine their approach. It doesn’t spell doom; it spells adjustments. Given the scope of The Rings of Power, Amazon likely planned for this to be a long-term investment and would have accounted for a slower start. Building trust and an audience takes time—just ask any successful franchise.

5. Let’s calm the Fellowship down. Worrying about every rumor floating around is exhausting. It’s like trying to outrun a Nazgûl while barefoot in Mordor. We don’t need that energy in our fandom right now. Yes, we can be critical of the show. Yes, we can hope for improvements. But the speculation about the series getting canned before Season 3 even airs is unnecessary noise that only feeds negativity and add worries to already existing conflicts.

TL;DR:

I’m not here to sound like your mom or anything—but if it helps, think of me as your friendly neighborhood Gandalf (minus the fireworks but with plenty of snacks). I’m just here to calm things down before we all start marching out of Hobbiton over a rumor that has absolutely no solid ground to stand on. This whole situation is snowballing—and let’s be honest, it’s not even winter yet.

This post that everyone’s spiraling over? The one about surveys and cancellation questions? It comes with exactly zero proof.

No screenshots, no corroboration, nothing to confirm it’s legit beyond someone’s words on the internet.

I’m not saying it’s impossible, but without evidence, it’s like claiming to have the One Ring but refusing to show even a glimpse of it. Sounds a little sus, right?

Look, I get it. The wording is scary. “How would you feel about cancellation?” is enough to make anyone who loves the show clutch their lembas in fear. But panicking and spreading unverified claims like wildfire isn’t helping anyone. It’s like rallying the Rohirrim before you even know what you’re riding to face—take a breath, assess, and then make decisions.

Until we hear something concrete, let’s not let this post stir the pot unnecessarily. The show is far too big to just disappear overnight, and Bezos’s pride alone will probably ensure we at least get to see this through. Let’s focus on enjoying what we have, continuing to provide feedback where we can, and sharing the love of this sprawling, beautiful world Tolkien inspired.

It’s a single claim from an unverified source with no screenshots, no corroboration, and no concrete evidence. Until we see something legitimate, this is just another shadow in the Misty Mountains of Fandom Panic™.

With everything I’ve mentioned—the insane budget, Bezos’s personal attachment, and the fact that Amazon has already made long-term commitments to the show—there’s little reason to think it’s on the chopping block. Is it possible they’re retooling it or adjusting things? Sure, that happens with every major series. But outright canceling the biggest, most ambitious project in their streaming history? That’s a huge leap, and frankly, it doesn’t line up with what we know about how Amazon operates (or how Bezos’s ego works).

So let’s not get sucked into the Eye of Sauron-level drama without solid proof.

I get that the idea of the show being in jeopardy is unsettling—Rings of Power means a lot to so many of us for so many different reasons. But until there’s something concrete, let’s not fall prey to baseless fear. Hold fast, steer your boats true, and don’t let panic steer you off course. Keep your lembas close, your theories reasonable, and your hearts hopeful. After all, not all rumors that spread doom are gold.

Bezos and his family love this series. The man isn’t going to let his shiny billion-dollar baby get canceled quietly.

Let’s channel some hobbit energy—grab a snack, take a deep breath, and wait for actual confirmation before we assume doom and gloom. We’ve weathered plenty of storms in this fandom, and this? This is just a passing cloud until we know otherwise. Stay calm, my friends. Middle-earth wasn’t built in a day, and neither are Amazon’s decisions. 🌿

[maxdibert]

Hey, I’ve been reading your posts, and while I appreciate your analysis of the characters, I don’t fully agree with your interpretation of Lily and the Marauders. It feels like you're projecting your personal experiences with privileged figures onto them, which leads to fundamentally misunderstanding them at their core. These characters are all human and layered, just like Snape, and reducing them to a single aspect is oversimplifying them.

I also feel like your view of Lily is influenced by your dislike of James. Marrying someone wealthy doesn’t automatically make her a “social climber.” Especially not when she is actually consistently acting on her morals and values throughout the few memories we see of her. You draw a parallel between Lily and Petunia and assume they have the same “agenda,” but you overlook their vastly different personalities that directly contradict the idea that they had the same goals.

Regarding James; while he certainly had flaws, he was also a decent person with strong values, beyond his arrogant school years and bullying of Snape. James and Lily were in the same house, and it's not far-fetched to assume that she saw a different side to him, one with qualities she admired, which is likely what drew her to him, even if his arrogance initially repulsed her.

Sorry but no. A big NO.

First of all, I analyze things based on how social issues are reflected in group dynamics. And yes, I use personal examples, but just as I’ve met rich people who are complete idiots, I’ve also met wealthy people who are absolutely lovely. That’s not the case with James or Sirius. Following a certain political ideology, no matter how positive or good it may be, doesn’t automatically make you a good person. For example, what’s the point of being anti-racist if, in your day-to-day life, you go to a restaurant and treat the staff poorly? Or what’s the use of proclaiming yourself a feminist if you then display behaviors that perpetuate gender hegemony? Sure, your vote will help implement certain institutional policies that benefit minorities, but that won’t mean much in day-to-day life if you’re incapable of deconstructing your biases, recognizing your privileges, and engaging in social self-criticism about them.

And that’s essentially what happens with James: he talks a big game, but when it comes down to it (and this is undeniable because it happens canonically in the books), on the very first day of school, he took an instant dislike to a boy who was much poorer, much more vulnerable, and lacked even a fraction of the resources he had—and he decided to torment him for seven years. This is indefensible. Minimizing the violence exerted from a position of privilege toward someone in a much weaker position, by appealing to some kind of moral high ground is a dirty tactic. It reeks of internalized classism and an astonishing lack of understanding about social dynamics and power inequities.

The fact that Lily’s morals and values aligned with ending up with a bully isn’t incompatible with her character. That bully was a social justice warrior (when it suited him), and the very causes he claimed to advocate for were those that benefited Lily. He represented a faction of the magical elite that defended people like Lily, so it’s consistent for her to choose someone whose ideology worked in her favor. But the fact that she constantly downplayed the violence the Marauders inflicted on other students, using the excuse that they didn’t use “dark magic,” reveals cognitive dissonance in her moral judgments. Violence in schools is violence, no matter where it comes from. You might find the bigoted, violent ones worse, but that doesn’t mean the others—no matter how good their ideas might be—aren’t also abusers.

Let’s be clear: no one with any sense would see a group of guys deliberately targeting others to the point of stripping someone in public and ever consider dating one of them. If Lily did (and if we accept Rowling’s own claim that she liked James before he “matured”), two conclusions emerge: either she was a complete dick, or James had something beyond his terrible personality that interested her. And in the early stages of a war where people like her were going to be a primary target of one side, it’s clear that “something” was security. And that doesn’t make her a bad person—it just makes her human. It’s human for a working-class teenager who’s suddenly thrust into a world where many people believe she doesn’t belong to feel attracted to the rich, socially powerful guy who’s willing to defend her rights and validate her as a member of that society.

And the fact that she and her sister had very different personalities doesn’t mean anything. Both grew up in a lower-middle-class neighborhood and received the same values from their parents. Just as Sirius shares many traits with his cousin Bellatrix and his own mother, Walburga, Lily shares many traits with her sister (which makes sense given the social context they grew up in). Ignoring this is to ignore how class dynamics and social expectations work, especially in certain European contexts of the 60s and 70s, where societies were still heavily influenced by classism rooted in deeply ingrained monarchical and aristocratic systems.

As for James, I’m sorry, but he didn’t just have “flaws.” James was a bully and an abuser who used his social and economic security—and that of his best friend, Sirius—to attack other people. And instead of targeting pure-blood Slytherins from wealthy, influential families, he conveniently chose a half-blood with no money or connections. That’s not arrogance; that’s violence. Even after promising Lily that he had changed, he continued doing the same thing behind her back.

I think I’ve provided enough arguments and evidence to support my stance, which is more than I can say for you. Your analysis is utterly superficial, and you still see James as a jokester rather than the abusive bully he was. Stripping someone naked in front of the entire school isn’t arrogance—it’s sexual abuse. Full stop.

[catras-breakup-song]

i’m not gonna lie… i’m lost here. is this supposed to be an 4nt1/cr1t1c4l post? if so, i genuinely don’t understand the point being made.

is it that playful banter is a bad thing? is it that being too hands-on violates unspoken boundaries? the message is so unclear to my autistic ass…

oh, wait, OP provided tags:

so aside from the fact that they are absolutely not sisters by default, least of all canonically (even if you do interpret them that way somehow), nor was it ever intended by nate stevenson, i’m still having trouble figuring out how this is problematic.

in which ways is lighthearted touch totally contradictory to passionate kissing/caressing? why can’t partners who are dating do both, especially in different cultural environments such as the horde where intimacy is discouraged and friendly sparring with familiar peers is a safe expression? if it’s so different, what are we as the audience supposed to interpret from their style of physical affection by the final season? side note, but aren’t we supposed to consider the latest version of anything in general as the most accurate?

now i have a question lol, did you take this moment literally at her word, and all the other times she repeated it?

also, my friend just pointed out that this is the classic homophobic talking point of "they seem to just be very good friends! they were roommates!" lmao. i've never agreed with accusing anyone who cr1t1c1z3s catradora of lesbophobia, which i'm not doing necessarily, because that's simply not how it works, however i found this funny and partially true so i'm keeping it in.

the lip bite was included unintentionally 👀

anyway, as i’ve discussed on this blog before, i’m very arospec and it’s inseparably intwined with my identity itself; i also project that onto catra. something we often bring up in that community, is romance-favorability (as its own spectrum of range all the way to blatant repulsion btw) — which is a personal preference that’s defined as exactly as it sounds like and occasionally revolves around fictional depiction as separate from one's own reality — and arguably more importantly, amatonormativity — which is an arbitrary set of rules for romantic expectations set up by an alloromantic society. this is typically thought of as common denial of the idea that someone could actually want to separate themself from needing a life partner in marriage, but can very much be applied to an annoying list of what draws the line between romantic & platonic relationships. that line is very individualistic and is to be decided on such a level only, and it doesn’t even get into what queerplatonic means, a concept saved for another day!

my point is, the OP seems to be trying to claim that catradora objectively cannot be read as romantic because their dynamic growing up & early-on in the story doesn’t perfectly meet socially-constructed standards of what that should look like. i say we need to eradicate those standards altogether! it’s up to catradora to decide what they are, if anything specific at all, not us as the audience — assuming they could’ve had the words at their disposal to knowingly describe it. going back to my earlier paragraph above about how limited they were in the fright zone, i’ll borrow a quote from a comment i made on one of my recent reblogged posts (which is a great meta on how their mutual desire was uh... definitely not platonic):

"Catra and Adora’s desire for one another is shown in a variety of ways, mostly indirect. There are a lot of glances - until season 5, not the kind of open leering at one another that we’d seen between other characters. Mostly it’s fairly playful - wiggled or cocked eyebrows, glances at each other while smirking, that kind of thing, or really intense and somewhat angry glares when they’re fighting."

it's really bothering me that i can't recall where i read this from before, but someone analyzed before how, growing up, catra & adora didn't have a good sense of how to label their relationship with accurate terminology despite being subconsciously aware that they, whether they knew the other reciprocated or not, loved each other "like that." unfortunately, they couldn't further explore it because such love & affection was seen as a punishable weakness in the horde, so they resorted to the only safe option they seemed to have, which was subtle body language and play-fighting as [testudoaubrei-blog] described above.

also, since this screenshot is included in that post... i would be amused to read an explanation of how THIS LOOK from catra is "platonic with a capital P", because i'm not even sure if it's up for debate to be quite honest with you:

ESPECIALLY with the "i always have!" line (which 4nt1s like to doubt, but i don't care, it's official!):

[youryurigoddess]

Good Omens Christmas jumpers, because of course they are a thing now

Glad to see that I’m not the only one clowning about the Good Omens Christmas jumper designs! You know what it means — putting together everything in one thread to make the further speculations more streamlined and, obviously, fun.

On November 20th, Rob Wilkins was present at the “Designing Terry Pratchett’s Discworld” event at Brendon Books. Probably not much to talk about from most of the Good Omens fans perspective, if not for the journalist Kat Brown posting on Bluesky the next morning:

But wait, something’s wrong. Or maybe not wrong, just… different. Why is Crowley the one shielding Aziraphale with his wing in his demonic, black-clothed, black-winged form? That’s a clear deviation from the pattern established in Eden and Before the Beginning.

There was barely enough time to discuss this phenomenon properly though. In the afternoon of November 21st, Rob made a previously unannounced appearance at the Paul Kidby’s “Designing Terry Pratchett’s Discworld” event at Waterstones Piccadilly, where he presented the Aziraphalean version of the jumper. On it — one Forty Years of Discworld pin and a second one in preparation for 2025 as The Year of the Luminous Lemur. Thanks to the phenomenal @basement-jax (I’m not exaggerating, I’ve seen her perform live on stage with Michael Sheen last month) present on site, we got the next photos in real time:

Let’s compare both designs, starting with the most noticeable difference — their color schemes. Both consist of six different swatches, three of which (white, black, and skin tone) repeat. The remaining three are two shades of the fourth color (brown for Aziraphale and red for Crowley) and a fifth, contrasting color (blue and yellow, respectively).

Six is obviously a very important number in terms of the Good Omens lore. Six episodes per season, 666 as the number of the Beast (Antichrist/Adam), 668 as the original title of the unpublished sequel — the ending of this story that will be finally adapted and revealed very soon. Not accidental.

Which brings us to the question of the left angel’s hair. Changing two brown shades to two golden ones, one already used in the other color scheme, not only shouldn’t be a problem for the designer, but would be a cheaper option and ensure consistency with the right angel’s design.

Some netizens have suggested that this discrepancy is caused by the left design representing the book iterations of the Ineffable Husbands. Book Crowley’s hair is dark — could be black, brown, red, even dark blond — and book Aziraphale’s hair is blond, which logically could be depicted as white or light brown.

Their graphic novel iterations created by Colleen Doran use black for Crowley’s hair (much longer than that of the left jumper demon) and blond for Aziraphale, close enough to the yellow yarn already used in this project and not quite the same shape as the jumper angels’ hairstyles.

Since neither seem to be an exact match for the design, could it be reverse Omens? The answer is not as simple. The characters aren’t just swapped; both of their hairstyles have been redrawn, at least partially. Unlikely a technical issue, when wings and clothes stayed exactly the same.

That would be the facts. Now onto the silliness!

My clowning theory is that we’re dealing with two alternative timelines or retellings here.

For Christmas, Crowley wishes for things to stay exactly the same as they are — but with him as Aziraphale’s protector, the romantic hero his angel needs and deserves.

Aziraphale wishes for a past where he doesn’t exist, or at least never meets Crowley. That’s how the latter would stay an angel and his role of the Serpent of Eden would be taken over by someone else — someone like Beelzebub, perhaps, with their small frame and short black hair?

@bardraelyn kindly suggested yet another option, purely out of amusement: “What if the “Aziraphale’ sweater depicts Lucifer and God?”.

What about you? What are your theories?

This clowning is now officially approved by Rob:

[newvegascowboy]

Okokok I wanna know your opinion on the Followers of the Apocalypse cause I personally love them a lot, favorite faction.

That’s mainly because they’re only faction in the wasteland who aren’t imperialists and actually believe in mutual aid and science, it’s incredible. They’re just such a good spark of hope and while they aren’t super nuanced, the fact that they show there’s always a better way is enough for me.

FUCK I FORGOT TO ANSWER THIS

I thought up a long reply while I was falling asleep and I basically have forgotten all of it, but the gist was that I think they're great and I'd like to know more about them.

In order to find other similar factions, we have to look to other games. Fallout 4 tends to flatten out its morality into Good Or Bad, and even factions that are meant to be a bit more morally neutral, as I suspect the Brotherhood to have been, lacks a lot of nuance that would have made them a more interesting faction. The Minutemen are the only other faction I can think of that were strictly dedicated to public service, and there was internal friction that led to their eventual decline. I don't think this is dissimilar to the schism that had the Khans split off from the Followers (although unfortunately, i think the followers are subject to a bit of moralism from the writers vis a vis drugs and addiction. Julie Farkas says some pretty sus things about addicts which sounds more like the person who writes her rather than someone of her character and beliefs would actually say.)

I also think its interesting that the Followers were indirectly the source of the birth of the Legion. I think Edward Sallow being a former Follower is very interesting. I suspect he was drawn to the idea of the free education and resources that were offered by the Followers, which also probably have him a subconscious idea about how to influence vulnerable people. If you know how to help people, you know how to hurt them, too. His rules around drugs and sexuality were no doubt influenced by Joshua Graham, but with the general medical and scientific background the Followers seem to have, I wouldn't be surprised if Edward spent some time studying psychology. He built the Legion on the inverse of the Followers philosophy.

I'd be pretty interested in hearing more about Edward's youth and background, especially if anyone is left to remember him as a young Follower. How did he perform? Was he uninterested in helping, or was he SO interested in helping he decided to take the people's choice in it away?

In general, the Followers remind me of that quote "Look for the helpers". I think it's rare that the group as a whole is dedicated to helping, but it's also refreshing to see there are people trying to do good at no benefit to themselves. I wish we had more representation for the Followers. I'd love to see them in future games.

LOVE U FOLLOWERS OF THE APOCALYPSE

[aptericia]

[I am non-Black, pale-skinned, East Asian, and white]

When I personally don’t speak up about poor treatment of Black characters, either by the source material or fan interpretations, I think it’s out of fear of losing any attempt at Black representation at all. Negativity and criticism tend to cause avoidance in people unless they’re actively trying to learn; for example, I’ve seen at least one fanartist express that when they were called out for lightening a character’s skin tone, it made them regret posting their fanart and reluctant to draw the character again, even if they’d make their skin tone more accurate next time (as far as I know, this character is not intended by the creators to be Black; they are a typical Ambiguously Brown™️ anime character with light brown skin and straight black hair). I also worry that studios faced with backlash for their treatment of Black characters may decide that “Black people aren’t satisfied even when we give them representation!” (not that they were given actual good representation, of course) and quit making Black characters altogether. I want to encourage people to at least try so that there is representation to be discussed in the first place. Both quantity and quality are necessary for representing marginalized groups, and I get scared about sacrificing one in pursuit of the other.

Obviously I’m not saying my behavior is justified, and I do try to speak up once I realize that it is, in fact, this fear that’s making me stay silent. But I wouldn’t be surprised if this is true for a lot of other people and they don’t realize it. I and many of my peers, Black and non-Black, vent our frustrations much more openly in private messages, where there’s no unfortunately no chance of the creators learning from it or of other Black fans feeling supported. I think it would help for us to encourage each other to talk publicly about those frustrations when we find ourselves doing so in private. I also think that creators who do find themselves called out for anti-Blackness in their art are allowed to feel hurt and discouraged (it’s a natural response, after all), but should vent those emotions privately so they can process them and then go back to trying again.

Every time I see a whitewashed image of a Black character, or a poorly attempted, Ambiguously Brown™ one, I still can't help but be insulted. Despite being aware how common fan antiblackness is, it still hurts. And I always wonder, rhetorically, "why doesn't anyone speak up?" "Why is everyone okay with this?" "Why do I have to swallow this like it's okay when it's not?"

I say rhetorically because as we're aware, I have my own theories on this topic. But now I'm genuinely asking y'all (and anons even gonna be on 🙏🏾 god lend me strength) your opinions on it, because maybe I'll hear an unjaded perspective that might better inform how I approach these conversations with y'all. Plus, it's important for introspection on everyone's end.

What do you think makes y'all not say anything? Why do you think your peers are comfortable with what they're doing? Why is it so safe to be antiblack in these fan spaces? If it's just ignorance, why is educating oneself not a priority when it is offered? Does it not bother you ? What is the boundary to where you feel you would be bothered enough to speak up? Am I asking the wrong questions? What questions should I be asking, and what exactly do you think the answers would be to those questions?

[k1ranishf4]

I found this on Pinterest and I can’t stop laughing

[cowboysmp3]

there’s something sooo sickening about how dunmeshis whole energy is like sometimes something terrible and awful happens to you and it changes you forever and nothing can make you the person you were before but there’s still love and there’s still sharing a meal together and there’s still living

[dykedvonte]

Honestly a sorry from Curly would mean nothing to Anya.

I’m not saying she wouldn’t want to hear it, it’s a hollow vindication. She told him and he couldn’t hear her. He saw it and he couldn’t understand it. They both experienced it and he should apologize that it took that for him to get it. She already knows he’s sorry but what’s the point if neither of them can do anything about it? It’s earnest but at the same time what she wants an apology for is what Curlu can’t apologize for.

He can’t be sorry for what happened to her even if he is. Even if he carries that guilt with him until the day he dies it’s not all his to bare. The most heinous parts aren’t his weight even if he tries to balance it. A part of her bitterness is the fact he can’t be sorry for it all. She can’t just direct it all towards him even if she wants to. She was failed in so many ways by all of them. It hurts with him the most cause he had the power but they all did nothing in the grand scheme of things.

The one person who should apologize would never and could never, it’s not something you can be sorry for. She wants an apology, she needs one but what would it fix?

[boysborntodie]

I fucking love Dally and Ponyboy’s friendship when you don’t have a bitch in your ear saying that it’s the exact same as Dally and Johnny’s

[steamedlotusroot]

as a native chinese, i feel like some of yall are taking the gods in lego monkie kid a bit too seriously. i understand why it feels iffy to ship / make silly content of deities that people worship irl (eg. nezha, sun wukong) but it’s a phenomenon on chinese social media too. c-netizens ship the fictionalized versions of these gods, which the gods of lego monkie kid are. they aren’t the actual gods people worship; they’re slightly tweaked versions of the book characters, just like any other chinese adaptation or retelling of jttw (and such stories like fsyy) also, no, nezha isn’t a child, in lmk or jttw or sometimes irl. just because he’s often depicted in child form doesn’t make him an immortal child. eros / cupid is often depicted as a winged baby, and he has a wife and kids. it’s basically the same thing here. nothing in lmk suggests that nezha is a child (his voice, his appearance, his personality etc. all imply he is an adult), and while he’s described as youthful in jttw, he’s already 1700+ years old by then and gods can shapeshift. people only think he’s an immortal baby because that’s a popular depiction of him, since one of his prominent myths is set during his childhood. but as long as you’re talking about the god nezha (fictionalized or the religious figure) and not the human child nezha, then that’s an adult [edit: the last sentence couldve been worded better. i would summarize it as “immortal youth nezha is a valid depiction and is popularized by mythology, but adult god nezha exists too and they are NOT mutually exclusive”]

[skywalkr-nberrie]

One of the biggest arguments I’ve seen used by the Ob*d*l*s against Anidala, is that scene in the ROTS novel where Padmé says she could trust OW with the secret of the rebellion and was hesitant to tell Anakin and I just wanna say:

Padmé wasn't an idiot. She was an extremely intelligent and competent woman, perfectly able to understand that loving Anakin and thinking that he could be trusted with a certain politic-related matter were two very different things and reducing her choice regarding who to trust with an important political matter only on the basis of her feelings of romantic love diminishes her professionalism, and this is why I say y'all could never understand her.

Padmé didn’t have to "love" OW or even like him at all to know he was the perfect Jedi to ask for help in a secret political matter.

That's the point being made in the novel, she’s hit with the realization that Anakin in this particular moment could not be told this piece of info because of his relationship with Palpatine, and Padmé specifically mentions in the Junior ROTS novel that she didn't want to make Anakin “keep a secret” if he didn’t agree with their stance because it’d be “unfair.” So this also played a part in why Padmé didn’t think it best to inform Anakin about the Rebellion. It honestly had little to do with her actually lacking trust in him, and more to do with the circumstances she was in not allowing her to be open with her husband and her not wanting to make him choose between his wife and his “father figure.”

However, Padmé knows OW’s political ideas aren't tied to ONE particular person but to a philosophy, one which is closer to her own, at that point. None of this was ever meant to be hinted as “romantic” or even remotely insinuated as romantic. It’s strictly professional and even the tone of the scene makes that so abundantly clear.

All I’m saying is that, some of these proshippers are doing the most out here to try and prove their ship, like my loves? You forgot a very important thing called ✨ context ✨ and regardless of her rational thinking, Padmé still went out of her way to try and talk out all of this Rebellion secrecy stuff with Anakin when she confronted him in the scene where she asks if he ever thought they were “fighting on the wrong side.” Padmé didn’t trust OW in the same way she trusted Anakin (with her entire self and being) she had the level of trust and love for Anakin that was only meant for him.

Mixing up her unwavering faith in Anakin as her husband with her trust in OW’s devotion to duty as her comrade/ally is purposely deluding yourself, because the two aren’t the same and therefore can’t be compared. An example of this is: Padmé constantly putting more value to Anakin’s words over OW’s in the end of ROTS when he came to tell her of Anakin’s “crimes”. She completely disregarded what OW had claimed about her husband and instead made her way to where Anakin was herself, to ask him directly. Despite what the truth was, this is proof of her trusting Anakin unconditionally, and I didn’t even think I had to spell that out because it’s as clear as day.

In conclusion, Padmé didn’t trust OW more than Anakin, she just knew the circumstances she was in didn’t exactly make it easy for her to openly talk with her husband about these matters and that’s part of what played into the issues they had in ROTS, it’s exactly what Sidious wanted.

[finderseeker]

@leucoratia Thank you for giving me the opportunity to talk about him even more

First off, I’m glad this solution seems to be such a hit!! I just couldn’t reconcile the character WD was becoming/had become with what we know of Gaster. So this works well!!! (Despite the questions it raises meta-wise.)

*Rubs my hands together evilly* Okay SO! WD and his relationship with Grandpa here. I haven’t completely decided on anything just yet but I do have some Ideas. Some Notions if you will.

I think there’s pressure to get into the field from family, yes. But I don’t think it was necessarily negative pressure, if that makes sense. Like, I’m not sure it was the kind of thing where they would have been disapproving or upset if he chose some other career, per se. More that they didn’t even consider the possibility that he would choose anything else. Sans is a physicist, Papyrus is an engineer/mechanic/something like that, and they’re both very smart, but WD, oh, he’s the prodigy. He’s the golden child, even for all his quirks and rarities. An anxious disposition and weirdly long tail and unusual font and cracked lip aside, he’s got so much going for him!

I think that, likely, in their efforts to ensure that he didn’t feel any different than anyone else regarding disposition and physical traits/limitations, and that he knew he was ✨special✨ because he’s so smart, his parents probably made it all worse, actually. Not acknowledging that he was, in fact, different and unusual only made him feel more invisible. Which of course made him feel bad, because he was the main focus of his family’s attention. (‘How can I be unsatisfied with when I get so much attention compared to my brothers? Am I just spoiled?’)

He felt he had no time to goof around, no time to play, because he ought to be studying and learning more. ‘Why, with a mind like that, he surely takes after his grandfather in more than just font! Perhaps he will be the next Royal Scientist!’ said everyone. Which, y’know, gets to you as a kid.

While it was only ever meant to be encouraging, the pressure to live up to that was overwhelming. It’s not just that he’s named after his grandfather, it's not just an abstract sentiment for skeletons. He’s got his font. Which, apparently, suggests some other similarities. He’s always The Serious One among his brothers because they’re always goofing off (from his POV anyway) when they should be working! How can they be so lackadaisical? The fate of all monsters rests on them helping their grandfather; how can they be so relaxed just because they aren’t on the clock? Is their pay the only thing that matters to them!? They should be endeavoring to find solutions at all times!

So. Yeah. His mindset is very much shaped by the idea that it’s his responsibility to use his abilities to help others. It’s not as simple as letting his family down. What he wants has never been a factor in the equation, and so he doesn’t linger on it. The way he exists has already dictated his life course. It’s as simple as that. It’s not out of love for others— whether his family specifically or monsterkind at large— but rather out of obligation and responsibility. He does not feel a particularly strong affection towards monsters in general. (The opposite, actually.) He has never seen the surface, and frankly, with as dangerous as humans are, he doesn’t entirely understand why or agree with the idea that getting up there would be a good thing to begin with. But breaking the barrier is the goal that’s been put in front of him, and so that’s what he works towards. Along with the supposedly more achievable goal of “helping people,” despite that being an incredibly vague and nebulous concept with no real direction.

He’s got this whole complex about what he’s supposed to be. No one is actually stopping him from being anything else, but the barriers he’s erected in his own mind feel immovable. If he has all of this ability, how could he not use it? Everyone is relying on him to be as brilliant as his grandfather and carry this mantle, but no one understands the pressure he’s under. No one understands anything! Even Papyrus, who practically never sleeps, doesn’t appreciate why he can’t just “take a break.” If he doesn’t accomplish something, he will never be free from these expectations!

I think deep down that’s why he kind of idolizes sci-fi supervillains? All the intelligence, all the means, and they use it for their own interests! They are beholden to no one, only themselves, and even the “heroes” can never stop them for good. Sometimes, the villains have better motivations than the heroes, even. I think WD’s fantasy, subconscious or not, is being able to go completely off the rails and create and do something utterly selfish. He has some bizarre resentment, I think, against people in general. Maybe it’s envy, in the sense that they lack the burden he does. Maybe it’s some kind of frustration that they’re all just standing around, twiddling their thumbs and waiting for some kind of “salvation” from either the king or from them, the scientists responsible for every other quality of life. If this solution needs to be found so desperately, why is it being left to so few people!? Why aren’t study of human magic and other magical-scientific disciplines a required field in schools? Why is there not a requirement that all who are able work on this pressing issue!?

So. He’s got this buried, probably subconscious resentment. He’s always irritated because of it. It feels like he’s the only one taking this seriously, and therefore the only one who can do anything about it. Rather than be reassured that no one is forcing this on him, his perception is that because no one else will “take it seriously” (read: “work ceaselessly”), it must fall to him. He has to. Because otherwise it will always be hanging over his head.

Now. Grandpa Gaster definitely doesn’t approve of… any of this. (In general, not the supervillain thing. WD is taking that secret to the grave.) Gaster encourages him to take breaks and not work himself so hard. Unfortunately, despite his kindness and reassurance, WD only sees that as, “Look, this is so simple for him that he doesn’t even need to exert effort! He thinks I’m far more capable than I am, he must think I’m accomplishing more than I actually am. I have to work harder so that I can reach that level and live up to this.”

Yeah.

Gaster is quite caught up in his own work, and although he cares very much for his grandsons, I don’t think he’s entirely… connected with them. He doesn’t realize what WD is putting himself through, entirely. He just sees a bright, like-minded young man with a strong work ethic and a love for helping others! Even if he’s a bit prickly and perhaps embarrassed about it. But he’ll come around! Young people are so caught up in how they’re perceived by others; surely WD will mellow as he ages.

(Spoiler: he doesn’t. Or, he doesn’t really get the chance to.)

The biggest difference between them is that Gaster is doing this because he loves people and he loves his work. All his efforts are a labor of love. For monsters, for unity, for freedom, for the universe. WD is doing this because he feels that he must. He is not especially moved by love. He doesn’t gain a sense of purpose from this, he only feels burdened.

Gaster doesn’t quite… pick up on this. I think he would love to have a warm relationship with his grandsons, and prooooobably does more with Sans and Papyrus. WD, meanwhile, has so many self-inflicted mental barriers and blocks and restrictions and obligations that he’s created this artificial distance between them. It really, really doesn’t need to be this way, but unfortunately our perception shapes our reality, and the stronger a person believes something to be a certain way— that is, the less open they are to being wrong— the stronger they shape their reality. Someone like Gaster, who is open to different interpretations and understandings and so on, is more likely to see reality for what it is— but even he’s not infallible, because he is a singular person who has his own experiences and therefore his own perception. He thinks WD is just “at that age” (whatever that means) and is simply trying to prove something or is overly worried about what other people think of him, and that it will pass with time. He doesn’t understand that WD is torturing himself over pressure that isn’t even real.

He thinks it's so wonderful that WD wants to work with him and spend time with him, and oh, he's such a bright young man, he will surely accomplish so much! He's so proud of him.

WD is... not really capable of accepting love (in the form of acceptance or pride) from others right now, because I think he feels like he has yet to earn it, maybe? He's got this impossible standard he's trying to reach,* and he's depriving himself of everything until he can get there. (Which will be never.) He's miserable and it's all self-inflicted. It doesn't even need to be this way. ((He and Seeker (the character) have this in common I think…))

He does love his family. He loves his brothers and his parents (probably?) and his grandfather and his cousin(s). He loves them way more than he'd ever admit out loud. He's exasperated that none of them seem to Get It, but he's so convinced that he's the only one who's right that there's really no telling him otherwise. He doesn’t even know what he wants, only that he doesn’t have it and can’t have it. (Except, he can, of course, if he would just freaking calm down for a second.)

The funny (or sad) thing is that if he could just get past this thing he’s got in his mind, he’d be a much happier, more fulfilled person. If he weren’t busy stressing himself out and running himself ragged (and actually making his own anxiety worse in the process), he’d be a warm, conscientious person and a loving, attentive partner. As it stands, he’s Stress Response Central and essentially is slowly cutting himself off from the people who care about him, rather than rely on them. (This potentially includes Asteri, but their relationship is a whooole different post.)

If he keeps on this path, one of two things is going to happen: he’s either going to end up killing himself (or worse) by falling into the same thing that shattered Gaster in some desperate last-ditch attempt to Fix Everything; or he’s going to crack (no pun intended) under the pressure and burn out in an absolute fireball of metaphorical explosives.

And from the outcome where he doesn’t die/end up meeting a similar fate as his grandfather, there are two outcomes.

So, he’d burn himself out gifted kid style, but like several times worse. Has a complete breakdown and it resigns him to being stuck at home/in bed recovering his mental and emotional energy. But also being extremely depressed and probably rotting a little bit. And isolating even more, honestly.

The good ending would be him slowly recovering and making peace with not being The Only One Who Can Fix Everything, and maybe not even staying in the same field of work (if he can work anymore). The good ending also involves him being on good terms with Tempus again. (But that’s an entire can of worms I’m not touching here.) If he’s anything like me, it’s gonna take a few years (minimum) of rest and recovery after pushing himself that hard. I would not be surprised if he causes some permanent damage to himself (either mentally/emotionally or physically) that renders him unable to work/do what he used to.

The bad ending is that he rots in bed and wallows in depression and mourns the fact that he “wasn’t good enough” to stand up under the weight of everything and Fix It. And he just. stays like that. Isolating himself more and more, refusing to talk even to his brothers. And also Tempus still hates him. And that’s it that’s his whole life. The rest of it is spent mourning and regretting and reliving every decision that got him here, reflecting on all the things he deprived himself of in pursuit of his goal, only to fail and end up unable to have those things now that he has all the in the world. Self-deprivation of pleasure or enjoyment or rest, and for what? To break down under the weight of it all and have none of it anyway. He should have enjoyed what he was offered when he had the chance to accept it.

Anyway, as you can see I have a lot of feelings and thoughts about him (and this isn’t even all of them). I doubt that he resents his grandfather, but I do think that with the way things end up, he feels like a disappointment to him and there’s really no way to ever be assured otherwise because Gaster’s gone by that point. But I guess that’s part of the point, really: that you’ve gotta be okay with where you are so long as you’re doing what you can (to a reasonable degree), even if it disappoints other people. I think WD needs a lot of things but honestly I don’t even know how to begin to help him. He needs to go on vacation.

On an ENTIRELY unrelated note, I may have come up with a really funny (read: “stupid”) solution to the problem mentioned in the second half of the tags on this post.

Which isn’t what I wanted to focus on. I need to work on the stuff I already have going. But. It would be funny and unfortunately sometimes that’s the most compelling thing.

I will elaborate on what this possible solution is tomorrow.